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Speak to Win: How to Present with Power in Any Situation, by Brian Tracy

The ability to speak with confidence and deliver winning presentations can accelerate your career, earn people's great respect, and enable you to achieve your greatest--even most impossible-seeming goals. But what many people don't realize is that anyone can learn to be a great speaker, just as easily as they can learn to drive a car or ride a bike!

As one of the world's premier speakers and personal success experts, Brian Tracy is the ideal instructor. In Speak to Win, Tracy reveals time-tested tricks of the trade that readers can use to present powerfully and speak persuasively, whether in an informal meeting or in front of a large audience. Readers will learn how to:

- become confident, positive, and relaxed in front of any audience

- grab people's attention from the start

- use body language, props, and vocal techniques to keep listeners engaged

- transition smoothly from one point to the next

- use humor, stories, quotes, and questions skillfully

- deal with skepticism when presenting new ideas

- wrap up strongly and persuasively

Brimming with unbeatable strategies for winning people over every time, Tracy lets readers in on his most powerful presentation secrets in this indispensable, life-changing guide.

  • Sales Rank: #308210 in Books
  • Published on: 2008-01-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.16" h x .90" w x 6.34" l, .97 pounds
  • Binding: Hardcover
  • 208 pages

Review

"Now then, S&MM SoundOff may not be the most likely venue for a book review, but indulge me for a moment: I’d like to draw your attention to the newest tome by Brian Tracy, entitled Speak to Win: How to Present with Power in Any Situation (AMACOM Books)....In addition to penning the “Management Strategies” column that appears in every issue of S&MM, Brian’s one of the top 10 brand names in the motivational speaking business (sharing company with a couple of fellas named Covey, Robbins and Chopra). So needless to say, when the guy pens a text on giving killer presentations, you ignore it at your own peril....Whether Brian’s dispensing advice on mnemonic strategies, speech cadence, body language or even the proper climate control for your meeting room, you’ll find plenty of practical information here. "

--Sales & Marketing Magazine



“I’d like to draw your attention to the newest tome by Brian Tracy, entitled Speak to Win: How to Present with Power in Any Situation (AMACOM Books)....In addition to penning the “Management Strategies” column that appears in every issue of S&MM, Brian’s one of the top 10 brand names in the motivational speaking business (sharing company with a couple of fellas named Covey, Robbins and Chopra). So needless to say, when the guy pens a text on giving killer presentations, you ignore it at your own peril....Whether Brian’s dispensing advice on mnemonic strategies, speech cadence, body language or even the proper climate control for your meeting room, you’ll find plenty of practical information here.”

— Sales & Marketing Management blog (http://vnutravel.typepad.com/soundoff/2008/01/lessons-from-th.html)



"…a great, quick-read, self-help book aimed at anyone who wants to become better at speaking…well worth your time.” -- IEEE Electrical Insulation magazine

About the Author

Brian Tracy (Solana Beach, CA) is one of the world’s most successful speakers and consultants on personal and professional development, addressing more than 250,000 people a year. He is the author of many books, including The Power of Charm (978-0-8144-7357-3); Focal Point (978-0-8144-7278-1); Create Your Own Future; Eat That Frog!; and Goals.

Excerpt. © Reprinted by permission. All rights reserved.

C H A P T E R 1 0

Controlling Your Space

We cannot make it rain, but we can see to it that the rain falls on

prepared soil.

—HENRI NOUWEN

One of the key determinants of your success as a speaker is

the room in which you speak. You must inspect it carefully

and prepare it as much as possible.

There are three key physical considerations in speaking. They

are (1) sound; (2) light; and (3) temperature. These are the three

areas where things always go wrong in a speaking engagement.

You have heard of Murphy’s Law, which says that whatever can go

wrong, will go wrong. This law was probably discovered by people

who give talks and seminars in hotels and convention facilities.

Know the Lies People Tell

The first rule to know when holding any kind of public speaking

function is that hotels lie. I learned this when I first began speaking

and I have seen it proved over and again, 90 percent of the

time. Hotels lie.

It is almost as if the people who arrange facilities for conventions,

seminars, and speeches have taken a special course in the

various lies, distortions, and half-truths that they tell the meeting

planners and speakers, especially on the day and at the moment

of the presentation.

Fire Regulations

One of their favorites is ‘‘fire regulations.’’ They always say that

they cannot do or change something because of fire regulations.

The fact is that they do not want to change anything about the

room or the setup. Their claim of ‘‘fire regulations’’ is invariably

false, but it intimidates the inexperienced meeting planner into

acquiescence.

Whenever I hear this, I simply say, ‘‘My father is a fire inspector,

and I am quite familiar with the fire regulations. Please show

me where in the regulations it says you are not allowed to arrange

the room in this way.’’ This always stuns them. They immediately

drop the excuse and begin to cooperate. I’ve seen this happen over

and over again, in hundreds of facilities.

‘‘It’s Computer Controlled’’

Another excuse that they give you is that ‘‘The lighting is computer

controlled. There is nothing we can do about it until the engineer

arrives.’’

For some reason the engineer is never on the premises or immediately

available. He or she is at a meeting, away on vacation,

or dealing with another emergency.

How to Deal with the Lies People Tell

The key to succeeding in organizing the facilities is for you to be

friendly, polite, and charming but simultaneously gently insistent

with the staff. Your goal must be not to get them mad at you early

in the process. They are the only ones who can help you. But here

are some things you can do to get some results.

Threaten Them If Necessary

One day, I was doing a seminar in Tampa, Florida. The room temperature

was 80 degrees. People were perspiring, waving their

seminar materials as fans, and generally unhappy and dissatisfied.

They were starting to leave and ask for their money back on the

way out.

I asked the organizer to call the hotel and have them turn the

temperature down. She called them repeatedly, but to no avail.

They gave all the usual excuses. ‘‘The engineer is working on it; it

is computer controlled; we are doing everything we can.’’

Finally, at the break, I called the head office and told them that

if the temperature did not come down and the air conditioner was

not turned on within two minutes, we would cancel the seminar,

refuse to pay for the room, and sue them for lost revenues. It was

amazing. As I stood there, I could feel the air conditioning coming

on. After pleading with them for two hours and listening to every

excuse imaginable, as soon as we threatened not to pay, the air

conditioning roared on and stayed on for the rest of the function.

Refuse to Pay

I always encourage my clients to call someone in charge and tell

the person, ‘‘We will not pay for the room if the air conditioning

or temperature is not adjusted immediately.’’ In almost every

case, all the technical difficulties that had been holding them back

are suddenly resolved and the temperature is lowered or adjusted

to the proper comfort level.

Check the Lighting

Lighting is very important in a seminar presentation. The total attention

of the audience should be on your face, with only casual

side-glances to your props. Remember that 70 percent of the people

in your audience are ‘‘visuals.’’ They can only process information

if they can see it. The other 30 percent are ‘‘auditories.’’ These

are people who process information only when they can hear it

clearly. Your job is to cater to and satisfy both groups.

Fifty percent of the time, the lighting will be wrong in some

way when you arrive to do your presentation. For this reason, you

always want to arrive early enough so that you can check out the

lighting thoroughly before you go on stage. If something is wrong

with the lighting when you begin to speak, it is almost impossible

to make any changes afterward.

Where to Put the Lights

In stage or TV productions, people spend one or two days in advance

just setting up the lights. They arrange the lighting and

move it around so that there are no shadows on the stage or on

the actors. They make sure that every single person is absolutely

clear to every single participant in the audience, from every angle.

This is the ideal.

As the speaker, you must be fully lit, 100 percent of the time

from both sides so there are no shadows on your face. It is not

unusual for the facility to have lights that beam on you from the

top rather than from the front, shading out the bottom half of your

face. This causes a negative audience reaction.

The Phantom of the Opera

On one speaking occasion at a hotel, we asked for additional lighting

and the hotel told us (remember, hotels lie) that it could only

find one spotlight. The hotel staff brought it into the room and set

it up to one side at the rear of the audience. This spotlight shone

on one half of my face, giving me a ‘‘Phantom of the Opera’’ look

for my entire presentation.

The reaction from the audience was immediate and negative.

People actually became angry. They criticized the talk and demanded

their money back. They walked out. For some reason, the

half-faced lighting made me look sinister and evil and the people

reacted in a negative way. We never made the mistake of having

only one light again.

Your Face Is All-Important

When I organize lighting for a seminar, I tell the technicians that

a person in the back row should be able to see a zit on my face

from where she is sitting. I emphasize that the lighting on the

stage should be as bright as an operating theatre. They often nod

and pretend to agree but secretly think that you don’t know what

you’re talking about. You must therefore be insistent.

In many cases, the staff will set up your stage and podium for

the convenience of the screens rather than to illuminate the

speaker clearly. The staff members will say, ‘‘If we turn on all the

lights, it will wash out the screen.’’ Be alert to this because it happens

all the time. Insist that you don’t care how the screens look.

The light on your face is what counts.

Check in Ahead of Time

I was giving a seminar in Irvine, California, a couple of years ago.

My seminar was for the entire afternoon, and, as usual, I arrived in

the middle of the morning so I could watch the previous speakers.

When I walked into the room, a first-class Hyatt hotel facility,

it was only half lit. It was a form of semidarkness, almost like a

nightclub. The speaker was visible in a hazy, distant sort of way. I

was appalled.

I immediately brought one of the hotel staff members to the

room. I said, ‘‘Is there any way you can turn up the lighting in this

room?’’ He said, ‘‘Oh, did you want the lighting up full?’’

When I said yes, he immediately went to a wall panel, touched

a couple of buttons, and the whole room became fully lit, classroom

style. It was a shock to me and to everyone in the audience.

They had been straining to see and get the message of the speaker

for the last two hours.

It’s Not a Nightclub Performance

This has become a common refrain for me. Whenever I go to a

speaking engagement, I tell them that I want all the lights on full.

I tell them, ‘‘This is not a nightclub performance.’’

It is amazing to me how many professional lighting techni-

cians think that the speaker wants the audience to be darkened

while the speaker is so brightly lit that he or she cannot see people

in the audience because of the glaring light in his eyes. The other

problem with this is that the audience views the speaker more as

an entertainer. People sit quietly to watch the performance, not

wanting to make any noise. They do not respond or interact with

the speaker. The audience sits almost like a mole peering out of

its hole at the speaker lit up on the stage.

Remember, unless you are a professional entertainer in a

nightclub, you want what is called ‘‘one hundred candle power at

desk level.’’ This means that the entire room should be as bright

as a schoolroom. You want people to be able to see one another,

see you clearly, and take notes on the subject you are discussing.

This is essential for audience enjoyment and satisfaction.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great book!
By Sharbar
I loved reading Speak to Win. Brian Tracy is a true professional influential presenter. What I liked best about this book was the numerous helpful tips and examples Brian Tracy shared to illustrate each point for further enhancing efforts of how to present yourself to others (whether that audience be one person or a group). Highly recommend!

0 of 0 people found the following review helpful.
Glad I bought it.
By Amazon Customer
Great book. I have it marked up like my text books.

0 of 0 people found the following review helpful.
Five Stars
By Chick22
Excellent book with many great tips!

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Jumat, 29 Juli 2011

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  • Published on: 2010-08-26
  • Binding: Hardcover

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Festal Letters, 13-30  (Fathers Of the Church), by Cyril of Alexandria

St. Cyril of Alexandria is best known for his role in the Christological controversies of the fifth century. In recent decades, scholars have been attending more carefully to his exegetical legacy. Most of Cyril's work takes the form of biblical commentary rather than doctrinal treatise. Indeed, during his long career he wrote commentaries on nearly every book of the Bible. Less attention, however, has been given to Cyril's pastoral work as the Patriarch of Alexandria, perhaps because his commentaries and doctrinal treatises do not reveal much about his daily pastoral duties. Here the Festal Letters are especially helpful.



Twenty-nine in all, these letters cover all but three of Cyril's years as a bishop. The first twelve were published in 2009 (Fathers of the Church 118). The present volume completes the set. Festal letters were used in Alexandria primarily to announce the beginning of Lent and the date of Easter. They also served a catechetical purpose, however, allowing the Patriarch an annual opportunity to write pastorally not just about issues facing the entire see, but also about the theological issues of the day. Thus, in these letters we catch a glimpse of Cyril the pastor writing about complex theology in an uncomplicated way. These letters also illuminate other realities of the ancient church in Alexandria, especially the relationship with the Jewish community and the rising influence of asceticism.

  • Sales Rank: #2503475 in Books
  • Published on: 2013-11-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .80" w x 5.50" l, .90 pounds
  • Binding: Hardcover
  • 240 pages

About the Author
PHILIP R. AMIDON is a Jesuit priest who earned his D. Phil. degree at Oxford University. He is currently Resident Assistant Professor at Creighton University. JOHN J. O’KEEFE is professor of historical theology at Creighton University. He earned his Ph.D. in Early Christian Studies from the Catholic University of America.

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A Bayesian approach can contribute to an understanding of the brain on multiple levels, by giving normative predictions about how an ideal sensory system should combine prior knowledge and observation, by providing mechanistic interpretation of the dynamic functioning of the brain circuit, and by suggesting optimal ways of deciphering experimental data. Bayesian Brain brings together contributions from both experimental and theoretical neuroscientists that examine the brain mechanisms of perception, decision making, and motor control according to the concepts of Bayesian estimation.After an overview of the mathematical concepts, including Bayes' theorem, that are basic to understanding the approaches discussed, contributors discuss how Bayesian concepts can be used for interpretation of such neurobiological data as neural spikes and functional brain imaging. Next, contributors examine the modeling of sensory processing, including the neural coding of information about the outside world. Finally, contributors explore dynamic processes for proper behaviors, including the mathematics of the speed and accuracy of perceptual decisions and neural models of belief propagation.

  • Sales Rank: #995728 in Books
  • Published on: 2011-01-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .56" w x 7.00" l, 1.27 pounds
  • Binding: Paperback
  • 344 pages

About the Author

Shin Ishii is Professor in the Graduate School of Information Science, Nara Institute of Science and Technology, Japan.

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Sabtu, 23 Juli 2011

[E872.Ebook] Free Ebook Le Chat du Rabbin (French Edition), by Joann Sfar

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  • Sales Rank: #4682578 in Books
  • Original language: French
  • Dimensions: 7.99" h x 1.10" w x 10.55" l,
  • Binding: Album

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Kamis, 21 Juli 2011

[D843.Ebook] Download PDF Improving Traceability in Food Processing and Distribution (Woodhead Publishing Series in Food Science, Technology and Nutrition)From Wo

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In the light of recent legislation and a number of food safety incidents, traceability of food products back from the consumer to the very beginning of the supply chain has never been so important. This important book describes key components of traceability systems and how food manufacturers can manage them effectively.

After an introductory chapter on the nature of traceability systems, the first part of the book reviews the role of traceability systems not only in ensuring food safety but in optimising business performance. Part two looks at ways of building traceability systems, with chapters on modelling, identifying and resolving bottlenecks in traceability systems, including process information and tracing analytical measurements. Part three reviews key traceability technologies such as DNA markers, electronic tagging of farm animals, ways of storing and transmitting traceability data and the range of data carrier technologies.

Improving traceability in food processing and distribution is an important reference for QA staff in the food industry in meeting regulatory requirements and improving the safety and quality of food products.

  • Describes traceability systems and how food manufacturers can manage them effectively
  • Edited by two leading experts in the field

  • Sales Rank: #8466972 in Books
  • Published on: 2006-03-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x .75" l, 1.18 pounds
  • Binding: Hardcover
  • 272 pages

Review
...gives food industry managers an expert look at the legal requirements on traceability and the strategies and tools available to fulfill them., foodproductiondaily.com

About the Author
Ian Smith is Managing Director of the UK Division of AIM (Association for Automatic Identification and Mobility), internationally-known for its work in developing traceability technologies for industry. Formerly at the University of Central England in the UK.

Professor Tony Furness is Technical Director for AIM UK.

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0 of 0 people found the following review helpful.
traceability overview
By Dimitrios Hatzopoulos
Thorough but not in depth presentation of recent traceability developments in the food industry.Excelent general presentations of various authors with different fields of expertise.
Although a general and not targetting on a specific area of the food industry(which is multioriented anyway) it is a very helpful book for the novice and the experienced food scientist or student.I would prefer it more analytical though and solution providing, that what I was looking for and didnt find in this book.Excelent choice though for your library.

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Jumat, 15 Juli 2011

[Q688.Ebook] Ebook A Charlie Brown Christmas: Vince Guaraldi Trio (Piano Solo/Vocal/Chords), by Vince Guaraldi Trio, Bill Galliford, David Pugh

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A Charlie Brown Christmas: Vince Guaraldi Trio (Piano Solo/Vocal/Chords), by Vince Guaraldi Trio, Bill Galliford, David Pugh

Music from the highly acclaimed PEANUTS® Christmas special in a sheet music folio. Titles are: Christmas Is Coming
* The Christmas Song
* Greensleeves
* Christmas Time Is Here
* Für Elise
* Hark, The Herald Angels Sing
* My Little Drum
* O Tannenbaum
* Skating
* What Child Is This and Linus and Lucy.

  • Sales Rank: #2567267 in Books
  • Model: 00-P0924SMX
  • Published on: 1991-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .14" h x 9.05" w x 11.97" l,
  • Binding: Sheet music
  • 36 pages

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416 of 430 people found the following review helpful.
Clearing the air on this gem of a reissue...
By Joseph M. Luca
No, this is not your father's A Charlie Brown Christmas album. As has been pointed out here already, there's a different mix and alternate takes. But some points should be brought to a prospective buyer's attention so as to truly appreciate what's been done here.

The remix by Stephen Hart serves 1 purpose - to clean up a poorly recorded (even by mid-sixties standards)soundtrack. Noise reduction was used to remove excessive hiss, and the new mix was re-eq'd to accomodate listening by today's standards. It had been suggested that some left hand work by Vince is lost in this mix, but that is highly unlikely since, although probably recorded on a 4-track machine, the trio appeared to have had each of their instruments recorded in mono. Stephen merely places each instrument slightly to the left,center, or right in order to give a "live club" spaciousness to the sound, rather than the typical studio panned mixes we hear today.

In my opinion, people who are disgruntled with the actual sound of this disc have just been used to the original mix for so long that this appears foreign to them. They're just not used to it. If they long for a 60's sounding disc - they should simply convert their vinyl album to cd-r!

As for the replaced takes...that's another story altogether. Regarding the "wrong take" of "Linus & Lucy": the one presented on this reissue is actually the one that was used in the film (and this marks the first time this take was made commercially available). All previous issues of this soundtrack album used the version from the A Boy Named Charlie Brown documentary soundtrack.

We've NEVER had a commercially available version of the take of "Christmas Time is Here" (either the vocal or instrumental version) from the film, and this reissue is no exception, it is as the initial Fantasy release had it. The excerpt from "Christmas is Coming" in the film is to short to determine what take was finally used in it. The version on the new disc is NOT the one on the original issue, nor is the alternate bonus track.

Also, the take of "O Tannenbaum" is not an alternate version, but rather offers an arpeggiated chord introduction that apparently was overdubbed as an afterthought and was later cut out from the initial release. The version of "The Christmas Song" is the same as the original, not another take which was previously reported.

On a last note, there's a pleasant surprise at the end of "Skating," which is the same take as the original issue, but dosen't fade out and we're able to hear Vince's trio finish the song outright. Ditto for the instrumental track of "Christmas Time is Here" (though the effect is less dramatic). Jazz tunes were not meant to fade out!!

Should more care have been taken in letting the consumer know about these changes? Absolutely! But in spite of their...um... carelessness, this new reissue is a must have for all Vince & Charlie Brown Christmas fans.

132 of 136 people found the following review helpful.
Peanuts Christmas Jazz Masterpiece
By Darren
I really don't think any Christmas music collection could be complete without this soundtrack. When I think back of my childhood and watching the Charlie Brown Christmas Special on CBS during the holidays, I can't help but remember the warm feeling that Vince Guaraldi's arrangements instilled in me while watching the special. Looking back now, I also think that this soundtrack music was my first memorable exposure to jazz and probably set the stage for my musical appeal to instrumental jazz. "Christmas Time is Here" has become a Holiday jazz standard and has been re-recorded by a number of jazz vocalists but my personal favorite is "Skating". This is the Tao of Christmas. You can't help but lose yourself in the meditative freedom expressed in this arrangement, like the Peanuts characters in the movie, gliding so freely, smoothly and gracefully on the frozen pond in the pristine greyness of winter.
If you grew up watching the Peanuts during Christmas, this CD takes you back to that place in your childhood Christmas heart.

76 of 79 people found the following review helpful.
Put 5 stars for Guaraldi on the top of Charlie Brown's tree
By Joanna Daneman
It wasn't only the wonderful humor of Charles Schulz and the adorable child voices that made "A Charlie Brown Christmas" such an enduring holiday favorite. The score by Vince Guaraldi was sophisticated and sensitive and stands alone as one of the best holiday albums ever. Frankly, we play it all year long, yes, Christmas in July or June or whenever.)

The original compositions ("Skating", "Linus and Lucy", "Christmas is Coming") are brilliant, quirky and humorous, yet are far from childish. They are jazz compositions of real merit, and Guaraldi must have been a true "Peanuts" fan because he really was able to interpret Schulz's characters in musical form.

The score also has Guaraldi's interpretations of favorite Christmas carols. In "Greensleeves" in particular, you can hear how Guaraldi flavors this English classic with snippets of the Charlie Brown music--very clever and makes the score hang together as a unit and not just a patchwork of holiday tunes.

Sometimes the sound is a bit fuzzy on this recording (made originally in 1965), but that doesn't detract much from the pure pleasure of the score. This is a CD we play frequently and I must say, it never palls. I hear new things every time.

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Rabu, 06 Juli 2011

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Event Marketing: How to Successfully Promote Events, Festivals, Conventions, and Expositions (The Wiley Event Management Series)

  • Sales Rank: #2071267 in Books
  • Published on: 1600
  • Binding: Hardcover

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Senin, 04 Juli 2011

[I230.Ebook] Free PDF I Don't Want to Go to Bed!, by Julie Sykes

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I Don't Want to Go to Bed!, by Julie Sykes

Now Little Tiger fans can have their own very own Little Tiger bean toy, along with two Little Tiger board books - "I Don't Want to Go To Bed!" and "I Don't Want to Have a Bath!" - all in one package.

  • Sales Rank: #15793902 in Books
  • Published on: 1999-10-29
  • Original language: English
  • Number of items: 2
  • Binding: Hardcover
  • 28 pages

About the Author
Julie Sykes is also the author of "'Little Tiger's Big Surprise!"' and "'I Don't Want to Take a Bath!"', both illustrated by Tim Warnes, and "'Dora's Eggs"', illustrated by Jane Chapman. She lives in England with her husband and two sons.

Tim Warnes' other books include "'Little Tiger's Big Surprise!"' and "'I Don't Want to Take a Bath!"', both written by Julie Sykes, and "'Davy's Scary Journey"', by Christine Leeson. He lives in England with his wife, illustrator Jane Chapman.

Most helpful customer reviews

1 of 2 people found the following review helpful.
My 1-year-old likes this book
By A Customer
This is a nice, stiff, board book that I don't mind letting my 1-year-old handle. Mr. Warnes' illustrations are bright and colorful, and all the animals are quite 'cuddly.' Although it is "just a children's book," Ms. Sykes takes some literary license by grouping Asian and African animals together. Tigers are strictly Asian while bush babies (Galagos) are strictly African. In the story, Little Tiger "Can't imagine sleeping" [during daylight hours] but tigers exhibit this behaivor quite often. Also be aware that Little Tiger is quite fickle. In this book, his favorite friend is Little Lion, but in "I don't Want To Take A Bath" his favorite friend is Little Monkey. I still give this book a 5-star rating for its entertainment value, but for folks looking for geographic or behavioral purity, the "Little Tiger" books might not suit your requirements.

3 of 6 people found the following review helpful.
Longest book that I like so far
By A Customer
Usually if dad reads me a book with more than a few words per page, I begin to drift off around the middle of the book. This happened to me with "One Fish, Two Fish, Red Fish, Blue Fish" and others. But I'm only two. But for some reason, this longer books keeps my attention all the way through. Dad thinks it's because hardly any of the text changes from page to page, except that they replace jungle with water hole and monkey with elephant and so on. But I think it's because the book has a peacock in it. I love peacocks, don't you?

1 of 2 people found the following review helpful.
My kids love this book!
By A Customer
I have two young sons who are 3 & 4 years old. Everynight before bedtime, they get to pick out six books for us to read before they get tucked in, and everynight, this book is one they want to hear!
We've gotten into the habit of me pointing at them when it's time and they get to say, "I don't want to go to bed!"
Wonderful book! I highly recommend it to all children! Not only is it a great message, but it allows the youngsters to become involved in the story.

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