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• Sales Rank: #492242 in Books
• Published on: 2013-06-01
• Dimensions: 11.69" h x .31" w x 8.27" l,
• Binding: Paperback
• 84 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Historic Button Production Demystified
By Jon N. Austin
Gina Barrett's workshop manual offers clear and concise step-by-step instructions through full color photos, line drawings, and text that will allow you to create many styles of thread-wrapped, wheel, crochet, needle lace, and embroidered buttons commonly seen on garments throughout all historic periods. Numerous antique examples from British collections are included, and a contributed case study of two 15th century Austrian buttons are included and their fabrication explained. The manual stands alone, but it may also be seen as a printed companion to her series of two instructional dvds on the subject of button making "Making Buttons" and "Making More Buttons". This title is available for fulfillment directly from Gina in the UK; so, it is not out of print, and she ships promptly via air mail. Efficient and trouble-free on-line payment facilitates the transaction. For those who may have struggled to create period buttons by consulting other available titles on the subject, Gina has managed to demystify the process. Her manual instructs, inspires, and encourages a revival of the art and a far greater understanding and appreciation of a craft, which sadly has been eliminated by factory production. For those who simply seek to understand how these embellishments were produced, this volume is equally helpful and is a worthy addition to any textile curator or conservator's bookshelf. For historical re-enactors who seek unique fasteners beyond those in current production, Gina's instructions will inspire and instruct you to customize your garments.

0 of 0 people found the following review helpful.
Five Stars
By Trevena
Great book!

0 of 0 people found the following review helpful.
Wonderful book. Great addition to my Fiber Library
By Pam Howad
Wonderful book. Great addition to my Fiber Library!

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• Published on: 2001
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• Sales Rank: #497257 in eBooks
• Published on: 2014-05-02
• Released on: 2014-03-31
• Format: Kindle eBook

Most helpful customer reviews

84 of 85 people found the following review helpful.
Great Book, and Much Cheaper Than The "College Version"
By RammerJammer
I am in culinary school and this is the required text for our classes. After hours of researching online, and even taking the time to call the publisher, I finally decided to take a risk by buying this "Trade" version rather than the "College Version," offered here on Amazon and in our school's bookstore. Rest assured! This book is EXACTLY the same as the "College Version," but it doesn't include the CulinarE Companion CD (which our school does not utilize anyway)! I even had the instructors at school ask the publisher about the differences, and they admitted that there are none! All of the recipes and page numbers match up identically. Save yourself the $36+ dollars and buy this version instead of getting ripped off by a marketing scam to get more money out of students by calling a book the "College Version" - I'm glad I did!

We are just getting into the book, so I can't offer too much of an opinion, but from what I've seen so far, I'm impressed! I just wanted to add my review so that hopefully another student like myself can save some money. I hope it helps!

8 of 8 people found the following review helpful.
Amazing!!!
By Allan Elder
I discovered cooking through a Great Courses program from The Teaching Company and wanted to further my education (you should get that course). This book is HUGE! It covers everything. However, if you don't already know a little about cooking, its format can lose you. Here's how I am using it: I find a recipe for a complete dinner I like and then I find the references to the techniques required in this book. After some study and note taking, I am ready to cook. The book is really formatted for having a cooking teacher. I can't use it that way. For example, the chapter cutting and chopping food is great, but you will never do all that cutting and chopping for any meal. So, if you need to cut up carrots for a meal, go to that section and learn what to do - skip the rest. Also, I found the website software a waste. Maybe I just don't know how to use it properly, but for me it's worthless. Final analysis, if you want a complete text to improve your cooking, buy this book and you will always have a resource that tells you what to do. The next time a recipe uses some strange word, turn to the index, find the page, study, and cook. The results? Delicious!

2 of 2 people found the following review helpful.
Excellent book - check what you are (not) getting with the Kindle version before purchasing!
By ec-user
The book content is awesome, very well written and explanations are very good. Some sections need to be read several times because there is so much information in each phrase that you are probably missing additional useful content. Still easy to read though.

A few things to take into consideration before purchasing: This book is pretty big and heavy physically, so I went for the Kindle version. while it is a book printout and you can't get the nice features of a real Kindle book. It's still alright if you can live with it, which is my case.

The 4/5 stars is because the physical version comes with a code to download a menu-making software that the electronic version doesn't have (as it comes as a separate piece of paper). You can only get it with the physical version or purchase the code separately for 40$. Not a good deal in my opinion.

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[B887.Ebook] Download Morbus Gravis II: DruunaPaolo Eleuteri Serpieri

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Book by Serpieri, Paolo Eleuteri

• Sales Rank: #1219685 in Books
• Brand: Brand: Heavy Metal Magazine
• Published on: 1993-12
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 11.25" h x 8.50" w x .25" l, .98 pounds
• Binding: Hardcover
• 62 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

13 of 13 people found the following review helpful.
Lost in Space....
By Matthew Lafrance
Continued from Morbus Gravis I, Druuna meets the ancient "Lewis" and learns the secrets of the "city" and the "upper level". Alerted to the threat of impending danger, Druuna returns to the city she knows, guided my Lewis, where she is entailed once again in a web of lust and danger. As the city moves and shifts around her, will Druuna ever be able to reach her goal or contact Lewis again? Can she face and escape the "lower levels"?
Once again, Serpieri creates a fantastic story that more-or-less closes the arc begun in Morbus Gravis I. His artwork continues to get better. We meet many new characters as well as revisit important ones from Morbus I, anyone interested in "Druuna", should get these two great volumes.

9 of 9 people found the following review helpful.
Fair adventure, fairer ladies
By wiredweird
What's good about this book is quite good. The heroine, Druuna, is on a quest she doesn't understand, across a shattered cityscape filled with vigilante bands and diseased mutants. Except for one other female character that we lose early on, Druuna is about the only character that looks human, let alone beautiful. But Serpierie makes the most of that beauty, as her wardrobe gradually leaves her throughout the book.

This book is one of the inner chapters in a series that started and finished elsewhere. Although it stands by itself, neither explanation nor resolution are very strong. There are a few sex scenes, but most of them don't treat the lady gently at all - with one pleasant exception involving between her and her spirit guide, that part of the book is not to my taste. Still, it's fair adventure with gorgeous babe in the lead role, so it has at least a little going for it.

//wiredweird

14 of 17 people found the following review helpful.
The Worst In the Series
By A Customer
Druuna has always been a record breaking series, proving that erotic fiction does not have to be plotless or just for men. With the first book, Morbus Gravis, the author presented this idea - which is why it's so beyond me that he wrote this sequel the way he did. Still, though a little light on plot and a little heavy on S&M, there are some developments, and some extremely memorable moments. If you miss this one, I wouldn't sweat it; it's not crucial to what is otherwise a fantastic and ground-breaking series. This book is good, but not great; if you're looking for great, check out the third and fourth books in this series, Creatura and Carnivora. For some "light" fun, get this one.

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Steeped in photographic tradition, Sylvie Blum has worked as a model with such iconic artists as Helmut Newton, Andreas H. Bitesnich, and Gunter Blum before trying her hand at photography herself. As she works, she bathes the studio in a gentle glow with an exacting attention to lighting; yet, her endearing and fun-filled personality sets her subject at ease. Blum brings not just perfection but passion to her work--though her technique and composition are remarkable--because both as a woman and artist, Sylvie Blum is able to offer a unique perspective on the female form. She simply 'gets' how important the subject is to the creative process. Each impeccable image transcends sculptured form to convey the true essence of a beautiful and confident woman.

• Sales Rank: #465272 in Books
• Published on: 2011-09-15
• Released on: 2011-09-15
• Original language: German, English, French, Italian, Spanish
• Number of items: 1
• Dimensions: 13.62" h x 1.03" w x 11.02" l, 4.76 pounds
• Binding: Hardcover
• 160 pages

Review
"...the beauty of naked bodies that capture our attention." ~Harper's Bazaar

"Sylvie Blum rose from model to master of nude photography. Included in this book are poses that will appeal to all of our senses. Uniquely, they are a woman's poses, as seen by a woman--and a woman who happens to be the most promising nude photographer today." ~Foto Magazin Germany

"With an eye for forms and lines, Sylvie Blum encompasses the perfection and strength of the female body. Her models are not just naked, they resemble a masterpiece of a sculpture." ~Digital Photo Magazine

"Naked beauty will inspire you with these sensual and sensitive perspectives. Bodies, perfectly displayed under lights and shadows, command the viewers' trust and respect--delicate, graceful, and grandiose." ~Der Standart

About the Author
David Fahey is a Fine Art Photography dealer in Los Angeles representing Herb Ritts, Steve Shapiro, William Claxton and others.

Ralph Gibson is an award-winning photographer whose works are in the collections of major museums worldwide. His previous books include "Light Strings: Impressions of the Guitar "(2004). He divides his time between New York City and Paris, France. Anne Wilkes Tucker is Gus and Lyndall Wortham Curator of Photography at The Museum of Fine Arts, Houston. Les Paul is a revered guitarist.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Fine Art of Black and White Photography
By Dan Lebryk
Naked Beauty is the fine art of black and white photography, classic nude poses, and publishing.

The photographs are almost all taken in a studio with a white background and white floor, or the negative of a black wall and black floor. Sylvie Blum has mastered the technique of high key photography. The surroundings are a very light or dark gray tone, the subject has an amazing range of fine tones from perfect black to snow white. This is an almost impossible technique. Lighting and exposure are perfection in every single image.

The book is laid out with absolutely no distractions from the images. There are no page numbers, no captions, simply a white border around the photographs. The book is an oversized 11 x 14 inches that shows off each image's high resolution and detail. Great care was taken to choose images that would face each other on two pages that the composition would flow from one image to the next. There is almost a two page pallet used to display the images. The rhythm of images facing each other is occasionally broken with only one strong image facing a blank page.

The last pages of the book are thumbnails on the right-hand page, with the Plate list on the left-hand side. The list is sometimes a title, sometimes the model name, sometimes no title, but always followed by the year of the photograph. Seeing 20 of these images in smaller form all on one page is also an interesting way to view the photographs. Another rhythm shows up, one of tone, form, and series.

The pictures are not erotic, but sensual in their flow. Unlike Mapplethorpe or Helmut Newton, these are pictures of women that happen to not have clothes on. It is a more organic pure study of form, light and shadow. The models are stunningly beautiful, all are thin, but not model anorexic thin. They have an athletic firm tone. It appears that Blum has posed each model to emphasize what is perfect about each woman's body. I was struck by how often the model's skin looks like a perfect fruit or vegetable, especially peppers.

The printing, binding and publishing of this book is amazing. The subtle gradation of tone in Blum's photographs is the most difficult thing to reproduce in a printed book. The images in this book are virtually gallery images. The paper and book cover are of a satin finish that is as sensuous as the images. This is printing and binding at a very high standard.

The book has 99 full page images in black and white. The book opens with an essay by Anne Wilkes Tucker, photography curator of the Museum of Fine Arts, Houston, and closes with a brief biography of Blum. All text is presented in five languages.

The only issue I take with this book is the essay by Anne Wilkes Tucker. The essay talks a lot about how Sylvie Blum is a female photographing nude females. It traces some of the history of women photographing women. The flavor I got from this was, somehow this is different or important and special in some way. I'm not sure I agree that this book has anything to do with that. I think this book stands on the gorgeous photography, perfection in technique, and magnificent printing. Whether it is a female behind the camera or not, makes no difference to me. What I care about is the feeling and results of the work. Blum has advanced nude photography with this book. She stands proudly on the shoulders of Ruth Bernhard, Imogen Cunningham, Sally Mann, Jock Sturges, and tangentially Diane Arbus; who all came before her. These are incredibly beautiful images, no matter the gender.

Naked Beauty is a beautiful volume of black and white photographs.

The publisher provided me with a review copy of this book.

1 of 1 people found the following review helpful.
Sylvie's photos captured her amazing poses.
By ChrisCe
Interesting work by Sylvie Blum. As an artist, the line, form and grace is captured in her photos. Had the opportunity to have Brooke LaBrie model for a workshop. Sylvie's photos captured her amazing poses.

5 of 6 people found the following review helpful.
Poses ranging from kinetic to fetal
By ealovitt
Former model Sylvie Blum switches to the other side of the camera and transforms her nude subjects into gleaming black-and-white puzzle-sculptures. Even though many of her photographs show only part of the female model's body, it is surprising how much personality is evoked in the compositions by a jutting shoulder blade or uplifted hands. Her full-body poses range from kinetic to fetal. The aggressively athletic postures are contradicted by the soft gleam of naked skin.

To me, the most disturbing portraits involved a bald, ultra-thin model. Here, Blum tended to angle her camera upward from below, giving her subject the appearance of a Giacometti sculpture.

This volume pays homage to the alluring, young, female form, sometimes vulnerable, sometimes athletically arrogant. Very few props were used, which is why the clenched circle of a nipple ring comes as something of a shock on the model named Vel. It somehow makes her seem even more naked. The only banal portrait was a pouty-lipped, head-and-breast shot of Ashley, which would have been more at home in a 'Playboy' magazine.

The main body of this oversized (11"x13.5") book--99 full-page photographs--is followed by a plate list, where the author identifies the year the photograph was taken, along with a sometimes whimsical title.

***review copy supplied by publisher

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[W714.Ebook] Ebook King Hugo's Huge Ego, by Chris Van Dusen

Ebook King Hugo's Huge Ego, by Chris Van Dusen

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From a master of visual comedy comes the royally satisfying tale of a head swollen out of proportion and a blowhard brought down to earth.

Hugo is a tiny king with a very large ego. But when he mistreats a villager who also happens to be a sorceress, the spell she casts causes his head to literally swell. The more he boasts, the bigger it gets, until it finally topples the mini monarch right off his castle! Who will cut this royal pain down to size? And, more important, will anyone live happily ever after? Chris Van Dusen’s hilarious story is matched only by his outrageous illustrations. Together, they make for a picture book that is sometimes fairy tale, sometimes cautionary tale, and always laugh-out loud funny.

• Sales Rank: #67079 in Books
• Brand: Random House
• Published on: 2011-07-26
• Released on: 2011-07-26
• Original language: English
• Number of items: 1
• Dimensions: 11.69" h x .44" w x 10.13" l, 1.32 pounds
• Binding: Hardcover
• 40 pages

Review
Readers are treated to a terrific mélange of satire, slapstick, and caricature, all served up with expert comic timing. Van Dusen (The Circus Ship) may be puncturing the myth of infallible monarchy, but readers will have no trouble pledging obeisance to his comic majesty. -- Publishers Weekly (starred review)

About the Author
Chris Van Dusen is the author-illustrator of THE CIRCUS SHIP and the illustrator of the best-selling MERCY WATSON books by Kate DiCamillo. About KING HUGO'S HUGE EGO, he says, "Arrogance is a trait I’ve always deplored, and yet I have to admit that sometimes my own ego can become a bit inflated. Luckily I have a wonderful wife who acts as a Tessa to my occasional Hugo." Chris Van Dusen lives in Maine with his family.

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5 of 5 people found the following review helpful.
Funny!
By Debnance at Readerbuzz
Hugo was a very short king with a big ego. He made his people listen to him talk about how wonderful he was for hours. He made his people bow to him each time he walked past. A peasant girl, Tess, was walking down the road with a heavy load. Hugo was behind her and his servants ordered her to move off the road. Tess told the king to go around her. This infuriated the king and the servants bumped Tess into the gutter.

Tess, it turns out, is a witch, She was so angry with the king that she put a spell on him, making his head grow every time he thought about how wonderful he was. His head grew and grew and grew, until he floated off the castle walls and fell into the mud. Who should come along but Tess?!

She tweaked his ears and out of his head came all the haughty things Hugo had thought about himself for so many years until his head returned to normal size and he felt embarrassed at himself and apologized. Tess and Hugo, of course, fell in love and married.

Fabulously expressive illustrations. Rhyming text. And absolutely, side-splittingly hilarious.

"King Hugo's head deflated
like a giant pink balloon,
and when he heard what he had said,
he felt like a buffoon.

Sheepishly he said to her,
`I do apologize.'
Then he looked at Texxa
with his big, sad puppy eyes."
Comment | Permalink

6 of 6 people found the following review helpful.
Chris Van Dusen has done it again
By Lisa Carey
Chris Van Dusen is our five-year-old son's favorite author. The new book had him in fits of laughter, and he particularly loved the animals looking on as the king blundered along. The illustrations are, just as in The Circus Ship, gorgeous and full of interesting detail. The rhyming verse is very catchy and my son has already memorized it to read along. We highly recommend all Van Dusen's books!

4 of 4 people found the following review helpful.
King, Bowled Over, Learns Lesson
By David P. Whelan
The book's title is a good indicator of the fun your children will have reading this story by Chris van Dusen. His illustrations are bright and attractive alongside a clever rhyming text. Van Dusen explains ego and then uses King Hugo as an example. Our 5 year old took to the story right away, enjoying King Hugo's swelling head and his resulting downfall. The illustrations van Dusen uses to accompany the story almost tell the tale itself, making it a good book for young picture-only readers as well as those who are just beginning to read and build their vocabulary. Look for the strange gentleman in the 50's-ish pork pie hat in the crowd!

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[J442.Ebook] Free PDF Ways of the Six-Footed (Classic Reprint), by Anna Botsford Comstock

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Excerpt from Ways of the Six-Footed



About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

• Published on: 2015-09-27
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .36" w x 5.98" l, .52 pounds
• Binding: Paperback
• 170 pages

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2 of 2 people found the following review helpful.
A bargain way to see one of the great writers on nature for children
By J. Myers
This book will be unusual for many readers because it is written for children with the voice of an adult who is saying what she thinks they will be interested in, but is talking to them with the sensibility of an adult and not a child. This is how many/most children's books were written in her time, but it has been unusual since at least 1962, when I submitted a draft for a children's book to a publisher and got the response that they loved the story but it would have to be re-written with children as the protagonists, that my perspective was just not right. Since the story was essentially non-fiction, about a baby hamster that my college roommate found on the floor in a lab and brought back to the dorm to become a clandestine pet, I had no story to tell in that way and gave up on the book. Anyway, I think children used to be accustomed to learning in the way of this book, which is more about loving instruction preceding observation and then respectful interaction, and now we are all about getting the kinds hands-on first and learn all the weird and flashy things.

Mrs Comstock's works are used by home schoolers, and it is a shame that there are apparently no well-done editions of her Handbook of Nature Study. (By well-done, I mean ones that are well-reproduced so that her drawings are crisp and attractive.) In contrast, this book is well-reproduced. I hope someone will make a decent copy from an original of Handbook of Nature Study (which is in the public domain) and publish it.

I ended up not giving this book at Christmas to the child for whom I had bought it. I gave her some flashier books instead. That was my sense of this child. Now that I have read it, I have another child in mind who will probably get this book next Christmas.

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